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Karlheinz Stockhausen Song Of The Youths Contact

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Stockhausen lectured and gave concerts of his music throughout Europe and North America. From to he was professor of composition at the State Academy for Music in Cologne. Serialism music based on a series of tones in an ordered arrangement without regard for traditional tonality was a guiding principle for him. But whereas composers such as Anton Webern and Arnold Schoenberg had confined the serial principle to pitch, Stockhausen, beginning with his composition Kreuzspielset about extending serialism to other musical elements, inspired largely by the work of Messiaen.

Thus, instrumentation, pitch register and intensity, melodic form, and time duration are deployed in Maurizio M4 pieces that assume an almost geometric level of organization. Stockhausen also began using tape recorders and other machines in the s to analyze The Graham Bond Organization The Sound Of 65 investigate sounds through the electronic manipulation of their fundamental elements, sine waves.

From this point he set out to create a new, radically serial approach to the basic elements of music and their organization. He used both electronic and traditional instrumental means and buttressed his approach with rigorous theoretical speculations and radical innovations in musical notation.

Chance decisions thus play Karlheinz Stockhausen Song Of The Youths Contact important role in many of the compositions. The dominant technique in the production of Gesang der Junglinge is that of musique concrete, wherein "extra-musical" occurrences are utilized as a formative or limiting context in which the actual musical Karlheinz Stockhausen Song Of The Youths Contact can take shape. In this case, such occurrences are electronically generated sound waves and white noise.

It is within this sonic spectrum that Stockhausen arranged the electronic sounds and the sound of a boy's voice into what he has referred to as "a Karlheinz Stockhausen Song Of The Youths Contact continuum," a scale between the extremes of intelligible speech and seeming nonsense.

The work's text is taken Karlheinz Stockhausen Song Of The Youths Contact the "Song of the Three Youths" in the Book of Daniel, in which Daniel's companions praise God for rescuing them from the fiery furnace. The Karlheinz Stockhausen Song Of The Youths Contact of the biblical tale -- the emergence from death into life -- is expressed in Gesang der Junglinge by the dramatic formation of often incomprehensible vocal sounds into articulate words and phrases.

In remarks made before the world premiere at West German Radio in Cologne, Stockhausen stated that "whenever language emerges momentarily from the sound signals of the music, it praises God. The guiding ideal of this piece is Stockhausen 's conviction that composing should not involve simply the arrangement of Third Ear Band Alchemy sound, but both the "composition of sounds Karlheinz Stockhausen Song Of The Youths Contact and Karlheinz Stockhausen Song Of The Youths Contact "synthesizing of the individual sound.

AllMusic relies heavily on JavaScript. Organization of other parameters, including pitch, durations, and dynamics, are equally serialized and rigorous.

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9 thoughts on “ Karlheinz Stockhausen Song Of The Youths Contact

  1. Kajigore
    Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. A critic calls him "one of the great visionaries of 20th-century music". He is known for his groundbreaking work in electronic music, for introducing controlled chance into serial composition, and for musical spatialization. He was .
  2. JoJosar
    Karlheinz Stockhausen: Electronic Music -- Song Of The Youths/Contact (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store Dusty Groove is Chicago's Online Record Store -- Jazz, Soul, Funk, Hip Hop, R&B, Latin, Brazil, African, World Music, Avant, Rock, Blues & more LPs, CDs, vinyl records, albums, 45s, singles New & Used.
  3. Mazujinn
    This Stockhausen album contains two peices, "Song Of The Youths" and "Contact." "Song Of The Youths" is what it says; young boys singing. Stockhausen runs electrionic effects and fades the sounds in and out. This is a fascinating listen, as the effects and the voices shoot between the speakers.5/5(1).
  4. Meztigami
    Dec 02,  · Karlheinz Stockhausen. In the early work Gesang der Jünglinge (–56; Song of the Youths), a recording of a boy’s voice is mixed with highly sophisticated electronic sounds. Kontakte (–60) is an encounter between electronic sounds and instrumental music, with an emphasis on their similarities of timbre.
  5. Voodoojind
    These are the sources and citations used to research Karlheinz Stockhausen. This bibliography was generated on Cite This For Me on Monday, September 16, Book. Stockhausen: Electronic Music: Song of the Youths / Contact. [LP] Cologne: Deutsche Grammophon Gesellschaft. Book. Stockhausen, K. and Maconie, R. Stockhausen on music
  6. Kajijas
    View credits, reviews, tracks and shop for the Vinyl release of Song Of The Youths / Contact on Discogs/5(13).
  7. Mezibar
    Start studying Electronic Music Exam #3. Learn vocabulary, terms, and more with flashcards, games, and other study tools. (song of the youths)" *"Poeme Electronique" "Sine Music" Karlheinz Stockhausen *"Gesang der Junglinge (Song of the Youths)" "Gesang der .
  8. Zukinos
    Karlheinz Stockhausen's Gesang der Junglinge () has long been recognized as one of the touchstones in the history of electronic music. The means Stockhausen used to produce and record this work are in themselves remarkable, involving the most sophisticated studio equipment of the era.
  9. Durg
    Jan 30,  · Discover releases, reviews, track listings, recommendations, and more about Karlheinz Stockhausen - Gesang Der Jünglinge / Kontakte at Discogs. Complete your Karlheinz Stockhausen collection. Country: Germany • Genre: Electronic, Classical • Style: Musique Concrète, Contemporary referencing Song Of The Youths / Contact, LP, RP, /5().

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