Stockhausen lectured and gave concerts of his music throughout Europe and North America. From to he was professor of composition at the State Academy for Music in Cologne. Serialism music based on a series of tones in an ordered arrangement without regard for traditional tonality was a guiding principle for him. But whereas composers such as Anton Webern and Arnold Schoenberg had confined the serial principle to pitch, Stockhausen, beginning with his composition Kreuzspielset about extending serialism to other musical elements, inspired largely by the work of Messiaen.
Thus, instrumentation, pitch register and intensity, melodic form, and time duration are deployed in Maurizio M4 pieces that assume an almost geometric level of organization. Stockhausen also began using tape recorders and other machines in the s to analyze The Graham Bond Organization The Sound Of 65 investigate sounds through the electronic manipulation of their fundamental elements, sine waves.
From this point he set out to create a new, radically serial approach to the basic elements of music and their organization. He used both electronic and traditional instrumental means and buttressed his approach with rigorous theoretical speculations and radical innovations in musical notation.
Chance decisions thus play Karlheinz Stockhausen Song Of The Youths Contact important role in many of the compositions. The dominant technique in the production of Gesang der Junglinge is that of musique concrete, wherein "extra-musical" occurrences are utilized as a formative or limiting context in which the actual musical Karlheinz Stockhausen Song Of The Youths Contact can take shape. In this case, such occurrences are electronically generated sound waves and white noise.
It is within this sonic spectrum that Stockhausen arranged the electronic sounds and the sound of a boy's voice into what he has referred to as "a Karlheinz Stockhausen Song Of The Youths Contact continuum," a scale between the extremes of intelligible speech and seeming nonsense.
The work's text is taken Karlheinz Stockhausen Song Of The Youths Contact the "Song of the Three Youths" in the Book of Daniel, in which Daniel's companions praise God for rescuing them from the fiery furnace. The Karlheinz Stockhausen Song Of The Youths Contact of the biblical tale -- the emergence from death into life -- is expressed in Gesang der Junglinge by the dramatic formation of often incomprehensible vocal sounds into articulate words and phrases.
In remarks made before the world premiere at West German Radio in Cologne, Stockhausen stated that "whenever language emerges momentarily from the sound signals of the music, it praises God. The guiding ideal of this piece is Stockhausen 's conviction that composing should not involve simply the arrangement of Third Ear Band Alchemy sound, but both the "composition of sounds Karlheinz Stockhausen Song Of The Youths Contact and Karlheinz Stockhausen Song Of The Youths Contact "synthesizing of the individual sound.
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