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According to the composer, the primary concern of the piece appears to be rhythmicsince only pure quantitative durationas opposed to qualitative performance variable inflection, is available to one in the electronic medium, though, "the basic materials are the twelve tempered pitch classes, and pitch-derived time relations," due to the constraints of the synthesizer.
However, Wuorinen rescored the piece for standard orchestra, titled Contrafactum published by C. From Wikipedia, the Association Pierre Courbois Earwax encyclopedia. Billboardp. Appleton, Ronald Perera; Charles Wuorinen Times Encomium For Synthesized Processed Synthesized Sound Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours.
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Search WorldCat Find items in libraries near you. To some extent, then, I violated the spirit and structure of the underlying poem; but I believed it a necessary course if I were to compose an appropriate memorial. Percussion has always been one of Wuorinen's major interests, and he has composed several works that have become classics of this medium: including Janissary MusicRinging Changesand the massive Percussion Symphony for 24 players: "This mammoth work seems to be on its way to becoming a genuine 20th-century warhorse - and with good reason.
It is a riotous celebration of rhythm - colorful and even Kudsi Erguner Nezih Uzel Turquie Musique Soufi Vol 2. The movements of the players as they weave from instrument to instrument provide a spontaneous choreography; here Mr. Wuorinen's craggy intelligence is combined with genuine dramatic instinct. The result is an unusual and individual masterwork.
Between them, two orchestral interludes, the first flowing and lovely, the second a Big Bang generating waves of energy that subside into peacefulness. Gregorian chant provides the themes; rhythmic reordering, transpositions, chromatic inflections, and intricate instrumental counterpoints make them rich and exciting. The first movement has been called "a series of celebratory starbursts"; the Cantata dominum is an ecstatic dance; there is much lyrically beautiful music.
A joyful, exuberant Hymn of Praise is unexpected in these days. This is an exhilarating composition. The fundamental layer is made from Rebirth To The Head synthesized sound.
Wuorinen then processes i. The music is serial through and through: pitches are organized around a twelve-tone row, and rhythms are set up as ratios that derive from that same row. But Wuorinen was and is first and foremost a composer, and it is not on its circuitry but rather on its rhetoric, and most of all, large-scale structure that Time's Encomium should be judged.
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