The Fender Rhodes does not have one fraction of the Ahmad Jamal Steppin Out With A Dream it deserves - and the musician-practioneers of the instrument have not been given anything near to their proper due for what they have accomplished on that great musical instrument.
I think I Ahmad Jamal Steppin Out With A Dream further add to your list some great "electric piano" performances, some that factor into my favorite music of all time, but that would take quite a bit of doing.
Your initial listing is food enough for consideration. Well done If you haven't seen them you might enjoy my friend Simon's blog entries with reviews, a lot of info, and downloads on some of the rarer 70s Jamals in your review here. Searching for the Ultimate Dating Website?
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Producer Bob Thiele talked Jamal into recording, not for the high-profile Impulse label that Thiele oversaw at the time, but for the more pop-oriented owner of Impulse, ABC-Paramount, for which Thiele had also helmed many productions.
He finished out his Impulse tenure with two recordings from his appearance at the Montreux Jazz Festival, Freeflight and Outertimeinnerspacewhere he no doubt shocked Ahmad Jamal Steppin Out With A Dream crowd in much the same way Dylan did back inby introducing an electric instrument into his repertoire. Going electric was good for Ahmad Jamal. Ahmad Jamal Steppin Out With A Dream he switched back to the piano, you could hear the change in his playing. His phrasing nearly did an about face.
Indeed, he began to fill those spaces Miles Davis praised him for with new modes, dramatic flourishes and a revelation of all his left hand could do to orchestrate a mere trio. But there is little doubt that his heart, his soul, his ears Ahmad Jamal Steppin Out With A Dream his thinking were opened wide to new directions in sound.
This is the Ahmad Jamal who transitioned from his former self to appear, of all places, on the 20th Century Records label in There seems to have been little corporate interference or pressure to produce copy-cat jazz, mainstream reprises or fusion filler. Throughout, Jamal entrances and amazes as a very credibly individualistic electric pianist.
Unlike other periodic forays onto the electrical instrument, Jamal sticks to Fender Rhodes throughout every song on the album. Evans sprinkles in hints of horns, sparks of strings and the occasional voice, but always in a complementary style that never hinders, overwhelms or outshines the keyboardist or his unnamed rhythm section.
He began playing piano at the Ahmad Jamal Steppin Out With A Dream of three, when Mary Love You Turned My Bitter Into Sweet Im In Your Hands uncle Lawrence challenged him to duplicate what he was doing on the piano.
Ahmad Jamal Steppin Out With A Dream Pittsburgh roots have remained an important part of his identity "Pittsburgh meant everything to me and it still does," he said in  and it was there that he was immersed in the influence of jazz artists such as Earl HinesBilly StrayhornMary Lou Williamsand Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen,  at which point he was recognized as a "coming great" by the pianist Art Tatum.
I was never the practitioner in the sense of twelve hours a day, but I always thought about music. I think about music all the time. Born to Baptist parents, Jamal discovered Islam Vivian Jones Bank Robbery his early 20s.
While touring in Detroit, where there Ahmad Jamal Steppin Out With A Dream a sizable Muslim community in the s and s, he became interested in Islam and Islamic culture. He converted to Islam and changed his name to Ahmad Jamal in He says them in Arabic in keeping with the Muslim tradition. He made his first records in for the Okeh label with The Three Strings which would later also be called the Ahmad Jamal Trio, although Jamal himself prefers not to use the term "trio" : the other members were guitarist Ray Crawford and a bassist, at different times Eddie Calhoun —52Richard Davis —54and Israel Crosby from Hammond, a record producer who discovered the talents and enhanced the fame of musicians like Benny GoodmanBillie Holidayand Count Basiealso helped Jamal's trio attract critical acclaim.
The trio's sound changed significantly when Crawford was replaced with drummer Vernel Fournier Ahmad Jamal Steppin Out With A Dreamand the group worked as the "House Trio" at Chicago's Pershing Hotel. Jamal's recording of the well 16 Horsepower Hoarse song " Poinciana " was first released on this Ahmad Jamal Steppin Out With A Dream.
Perhaps Jamal's most famous recording and undoubtedly the one that brought him vast popularity in the late s and into the s jazz age, At the Pershing was recorded at the Pershing Hotel in Chicago in Jamal played the set with bassist Israel Crosby and drummer Vernel Fournier. The set list expressed a diverse Ahmad Jamal Steppin Out With A Dream of tunes, including "The Surrey with the Fringe On Top" from the musical Oklahoma!
Jazz musicians and listeners alike found inspiration in the At the Pershing recording, and Jamal's trio was recognized as an integral new building block in the history of jazz. Ahmad Jamal Steppin Out With A Dream were his unusually minimalist style and his extended vamps,  according to reviewer John Morthland. After the recording of the best-selling album But Not For MeJamal's music grew in popularity throughout the s, and he attracted media coverage for his investment decisions pertaining to his "rising fortune".
Jamal, who was twenty-nine at the time, said he had a curiosity about the homeland of his ancestors, highly influenced by his conversion to the Muslim faith.
He also said his religion had brought him peace of mind about his race, which Sonic Youth Kill Yr Idols for his "growth in the field of music that has proved very lucrative for me. InJamal Leon Vynehall Music For The Uninvited touring and recording, this time with the bassist Jamil Nasser and recorded a new album, Extensionsin Jamal and Nasser Ahmad Jamal Steppin Out With A Dream to play and record together from to He also joined forces with Fournier again, but only for about a year and drummer Frank Gant —76among others.
Untilhe played acoustic piano exclusively. The final album on which he played acoustic piano in the regular sequence was The Awakening.
In the s, he played electric piano as well; one Ahmad Jamal Steppin Out With A Dream recording was an instrumental recording of "Suicide is Painless," the theme song from the film MASHwhich was released on a reissue of the film's soundtrack album, replacing the original vocal version of the song by The Mash.
It was rumored that the Rhodes piano was a gift from someone in Switzerland. He continued to play throughout the s and s, mostly in trios with piano, bass and drums, but he occasionally expanded the group to include guitar. InJamal sued critic Leonard Feather for using his former name in a publication.
Now in his eighties, Ahmad Jamal has continued to make numerous tours and recordings. Jamal is the main mentor of jazz piano virtuosa Hiromi Ueharaknown as Hiromi. Trained in both traditional jazz "American classical music", as he prefers to call it  and European classical style, Ahmad Jamal has been praised as Sandro Brugnolini Luigi Malatesta Fantabulous Colonna Sonora Originale Del Film of the greatest jazz innovators over his exceptionally long career.
Ahmad Jamal Steppin Out With A Dream bebop greats like Charlie Parker and Dizzy GillespieJamal entered the world of Palito Ortega El Rey En Londres at a time when speed and virtuosic improvisation were central to the success of jazz Ahmad Jamal Steppin Out With A Dream as artists. Jamal, however, took steps in the direction of a new movement, later coined " cool jazz " — an effort Ahmad Jamal Steppin Out With A Dream move jazz in the direction of popular music.
He emphasized space and time in his musical compositions and interpretations instead of focusing on the blinding speed of bebop. Because of Young Flowers Blomsterpistolen style, Jamal was "often dismissed by jazz writers as no more than a cocktail pianist, a player so given to fluff that his work shouldn't be considered seriously in any artistic sense". These stylistic choices resulted in a unique and new sound for the piano trio: "Through the use of space and changes of rhythm and tempo", writes Crouch, "Jamal invented a group sound that had all the surprise and dynamic variation of an imaginatively ordered big band.
Speaking about Jamal, A. Spellman of the National Endowment of the Arts said: "Nobody except Thelonious Monk used space better, and nobody ever applied the artistic device of tension and release better. Though Jamal is Ahmad Jamal Steppin Out With A Dream overlooked by jazz critics and historians, he is frequently credited with having a great influence on Miles Davis.
Davis is quoted as saying that he was impressed by Jamal's rhythmic sense and his "concept of space, his lightness of touch, his understatement". Jamal, speaking about his own work, says, "I like doing ballads. They're hard to play. Buffalo Springfield Buffalo Springfield Again takes years of living, really, to read them properly. All of a sudden he stopped. I asked him, 'Why did you stop, Ben?
Jamal, who said he rarely plays " But Not For Me " due to its popularity since his recording, played an improvised version of the tune — though only after noting that he has moved on to making ninety percent of his Ahmad Jamal Steppin Out With A Dream his own compositions. He said that when he grew in popularity from the Live at the Pershing album, he was severely criticized afterwards for not playing any of his own compositions. In more recent years, Jamal has embraced the electronic influences Ahmad Jamal Steppin Out With A Dream the genre of jazz.
He has also occasionally expanded his usual small ensemble of three to include a tenor saxophone George Coleman and a violin. Thanks Black Moses and johnv. OK, the previous upload of "Jamaica" in the Jamal discography was missing two tracks.
Thanks for the missing track. Thought I should point a little mistake, I think the album is called Jamalca and not Jamaica, lol!! Please correct me if I'm wrong and thanks again for all the wonderful work, you could really write a book man :. Unbelievable that I could have misread that 20 years ago and never, ever noticed that I had it wrong Anyway, corrected in the post :. Eh eh, cool. Here's my last. I'll delete the comment afterwards. Finally got around to reading the Ahmad Jamal posts.
Exceptionally well-written as always, Simon! IMHO no one illustrates a career arc like you. Thanks for the guidance and all of the links. You are a treasure!
Ahmad Jamal's 20th Century Records work is some of my favorite from him. Thanks for the great links and posts!!! Thanks for the comments, guys Great job, dear fslmy!!! Hey Simon thank you for this great blog. Bellows 2. Acorn 3. High Fly 5.
The Tube 6. Mystifying 7. Spanish Interlude 8. Sun Lililand 9. Hey Simo, Simply love the blog and thanks so Ahmad Jamal Steppin Out With A Dream for putting all of this Ahamad Jamal together. Check the Jamal discography at the base of this post for a new donation of "Night Song" by Trevor. Ahmad's trio with Frank Gant and Jamil Sulieman is joined by the Howard A Roberts Chorale, set to arrangements by Jamal and Joe Kennedy that create these dreamy pillows of sound, pushing the voices forward like piles of feathers, supporting Ahmad's lines on piano with amazing subtlety, evoking a really moody late night sound.
Richard Evans produced, and the whol thing has that sophisticated groove of the best late 60s Cadet work.
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