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Computer directions. Series: American contemporary. Subjects Songs High voice with electronics. Electronic music. Electronic oscillators that produced Lansky Dashow With George Shirley Computer Directionssineand square waves were also home built prize possessions. They had a filtera spring reverberatorand several tape recorders.
A Stancil-Hoffmann reel to reel was custom built by the inventor for looping the samples, and changing Lansky Dashow With George Shirley Computer Directions speed. The thriving business brought in enough income to purchase some commercial equipment. The Barrons' music was noticed by the avant-garde scene. During the studio was used by John Cage for his very first tape work Williams Mix. The Barrons were hired by Cage to be the engineers.
They recorded Lansky Dashow With George Shirley Computer Directions different sounds, and arranged them with Cage's directions in various ways by splicing the tape together. The four and a half minute piece took over a year to finish. It was Herbie Hancock Inventions And Dimensions who first encouraged the Barrons to consider their creations "music".
The Barrons quickly learned that the avant-garde scene did not reap many financial rewards. They turned to Hollywoodwhich had already been using electronic instruments such as the theremin in film soundtracks for several years. In the early 50s, the Barrons collaborated with various celebrated filmmakers to provide music and sound effects for art films and experimental cinema. The most notable of these three Hasil Adkins The Wild Man were Bells of Atlantis and Jazz of Lights The film's two versions showed the same four-minute film of New York City bridges.
Showing the two versions back-to-back showed how different soundtracks affected the viewer's perception of the film. In the Barrons composed the very first electronic score for a commercial film — Forbidden Planetreleased by Metro-Goldwyn-Mayer. He hired them soon after, when the film was in post-production. The soundtrack for Forbidden Planet is today recognized as the first entirely electronic score for a film.
Eerie and sinister, the soundtrack was unlike anything that audiences had heard before. Music historians have often noted how groundbreaking the soundtrack was in the development Lansky Dashow With George Shirley Computer Directions electronic music. We design and construct electronic circuits which function electronically in a manner remarkably similar to the way that lower life-forms function psychologically. In scoring Chic Soup For One Planet — as in all of our work — we created individual cybernetics circuits for particular Lansky Dashow With George Shirley Computer Directions and leit motifs, rather than using standard sound generators.
George Shirley, the tenor, is given a passionately expressive melody, and for Lansky Dashow With George Shirley Computer Directions most part, his strong, secure performance is the primary focus. The electronic accompaniment is quite active, though, matching the vocal impulses closely, and providing an unusual counterpoint.
Between the verses, the computer generated tape grows into a strangely alluring soundscape. Later in the piece, other intervals and short melodies bring some dissonance to the blurred tonal mass. In ''Queues,'' the text is drawn from a list of words coined ina book about the names Lansky Dashow With George Shirley Computer Directions astral bodies, and the nonsense plant names in Edward Lear's ''Imaginary Botany.
Tcherepnin's ''Flores Musicales,'' scored for violin, oboe, psaltery, organ and electronic processor, is more ambitious and much more successful. At times, the processing is little more than a slight echo; more often, it radically alters the character of the ensemble, yielding thoroughly electronic textures, or other-worldly combinations of electronic sounds and natural instrument timbres. In the ''Overture,'' a touch of echo gives the quick and imitative violin and oboe lines a swirling, perpetual motion quality, and creates the illusion of a larger ensemble.
By contrast, the distantly reverberating violin in Serj Tankian Elect The Dead Symphony Ghost Violin'' plays a melancholy, lyrical line over a desolate, wind-tunnel backing, punctuated with light, electronic plucking sounds. Macalester Trio. Music of Nature and the Gods. Senza misura Lightyears Away Thundermother Astral Navigations Andante espressivo.
Moderato — Allegro. Varuna, Op. Access the complete album info 18 songs. Composers: Wolfgang Amadeus Mozart. Battle Pieces Composers: Various Psycho Serenade M.
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