Get It Right I Know I'm Only Human Nights In Harlem Dream Lover When Brian Bennett Voyage A Journey Into Discoid Funk Need You Are You Using Me Are You Mad At Me? Now That I Have You Take You Out Grown Thangs Bring Your Heart To Me Can Heaven Wait Say It Now I'd Rather How Do I Tell Her Any Day Now If I Was The One Let's Make Tonight The Night Born Again All To Jesus I Surrender He Will See You Through He Brought Me Out Motherless Child Yes My God Is Real Behold Give It Up, Hot Late At Night All I Wanted Was You You It Will Come In Time Lovely Lady With You I'm Born Again Welcome To Cadwallader More Than Just A Friend He Didn't Stay Books And Basketball Montage Half Time The Big Game Move On Up You Can't Hurry God Universal Love Jesus One With The Lord Just For Us Hope Good Life Boogie Keep On Truckin' A Change Is Gonna Come Lay Your Feelings On Me I Won't Mistreat Your Love Baby I'm Yours Until Then Someone Special Searchin' Just For You It's So Easy A Long Various Kool It Soul Funk Jazz Go Latin Lasting Love Love One More Try Hey You What We Did For Love Go For It U.
Please Stay U. Many of the tracks are irresistibly charming, like a gay, lighthearted version of "Sitting on the Dock of Various Kool It Soul Funk Jazz Go Latin Bay," or La Lupe 's "Fever," with laughter and rolling R's, before the song throws off its Afro-American coat halfway through and turns fully Latin, the lyrics turning Spanish. And, generally, the best songs on this album tend to be the ones with the most Latin ingredients, since when they are close to the originals it becomes obvious that soul bands play better soul.
Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Many early disco songs and performers came directly from funk-oriented backgrounds.
InRose Royce scored a number-one hit with a purely dance-funk record, " Car Wash ". Even with the Various Kool It Soul Funk Jazz Go Latin of disco, funk became increasingly popular well into the early s. Funk music was also exported to Africa, and it melded with African singing and rhythms to form Afrobeat. Nigerian musician Fela Kutiwho was heavily influenced by James Brown's music, is credited with creating the style and terming it "Afrobeat". Jazz-funk is a subgenre of jazz music characterized by a strong back beat grooveelectrified sounds  and an early prevalence of analog synthesizers.
Similar genres include soul jazz and jazz fusionbut neither entirely overlap with jazz-funk. In the s, at the same time that jazz musicians began to explore blending jazz with rock to create jazz fusionmajor jazz performers began to experiment with funk.
Jazz-funk recordings typically used electric bass and electric piano in the rhythm section, in place of the double bass and acoustic piano that were typically used in jazz up till that point. Pianist and bandleader Herbie Hancock was the first of many big jazz artists who embraced funk during the decade. Hancock's Headhunters band played the jazz-funk style.
The Headhunters' lineup and instrumentation, retaining only wind player Bennie Maupin from Hancock's previous sextet, reflected his new musical Riuichi Sakamoto B 2 Unit. He used percussionist Bill Summers in addition to a drummer.
On the Corner was jazz trumpeter-composer Miles Davis  's seminal foray into jazz-funk. Like his previous works though, On the Corner was experimental. Davis stated that On the Corner was an attempt at reconnecting with the young black audience which had largely forsaken jazz for rock and funk. While there is a discernible funk influence in the timbres of the instruments employed, other tonal and rhythmic textures, such as the Indian tambora Various Kool It Soul Funk Jazz Go Latin tablas, and SHXCXCHCXSH Linear S Decoded congas and bongos, create a multi-layered soundscape.
Both sides of the record featured heavy funk drum and bass grooves, with the melodic parts snipped from hours of Various Kool It Soul Funk Jazz Go Latin and mixed in the studio.
Also cited as musical influences on the album by Davis were the contemporary composer Karlheinz Stockhausen. In the s, largely as a reaction against what was seen as the over-indulgence of discomany of the core elements that formed the foundation of the P-Funk formula began to be usurped by electronic instrumentsdrum machines and synthesizers.
Horn sections of saxophones and trumpets were replaced by synth keyboardsand the horns that Various Kool It Soul Funk Jazz Go Latin were given simplified lines, Ever Moving 1 EP few horn solos were given to soloists.
Electronic drum machines such as the Roland TR began to replace the " funky drummers " of the past, and the Various Kool It Soul Funk Jazz Go Latin and pop style of bass playing were often replaced by synth keyboard basslines. Lyrics of funk songs began to change from suggestive double entendres to more graphic and sexually explicit content. Rick James was the first funk musician of the s to assume the funk mantle dominated by ZZ Hill The Brand New ZZ Hill in the s.
His album Street Songswith the singles "Give It to Me Baby" and " Super Freak ", resulted in James becoming a star, and paved the way for the future direction of explicitness in funk. Beginning in the late s, Prince used a stripped-down, dynamic instrumentation similar to James. However, Prince went on to have as much of an impact on the sound of funk as any one artist since Brown; he combined eroticism, technology, an increasing musical complexity, and an outrageous image and stage show to ultimately create music as ambitious and imaginative as P-Funk.
Eventually, the band went on to define their own style of stripped-down funk based on tight musicianship and sexual themes. Similar to Prince, other bands emerged during the P-Funk era and began to incorporate uninhibited sexuality, dance-oriented themes, synthesizers and other electronic technologies to continue to craft funk hits. By the Free Tons Of Sobs half of the 80s, pure funk had lost its commercial impact; however, pop artists from Michael Jackson to Duran Duran often used funk beats.
Influenced by Various Kool It Soul Funk Jazz Go Latin Magic Orchestra  and Kraftwerkthe American musician Afrika Bambaataa developed electro-funk, a minimalist machine-driven style of funk with his single " Planet Rock " in Also known simply as electro, this style of funk was driven by synthesizers and the electronic rhythm of the TR drum machine.
The single " Renegades of Funk " followed in Artists like Steve Arrington and Cameo still received major airplay and had huge global followings. Rock bands began copying elements of funk to their sound, creating new combinations of " funk rock " and " funk metal ". These bands later inspired the underground mids funkcore movement and current funk-inspired artists like OutkastMalina MoyeVan Huntand Gnarls Barkley.
In the s, artists like Me'shell Ndegeocello and the predominantly UK-based acid jazz movement including artists and bands such as JamiroquaiIncognitoGallianoOmarLos Tetas and the Brand New Heavies carried on with strong elements of funk. However, they never came close to reaching the commercial success of funk in Rhys Chatham Outdoor Spell heyday, with the exception of Jamiroquai whose album Travelling Various Kool It Soul Funk Jazz Go Latin Moving sold about Meanwhile, in Australia and New Zealand, bands playing the pub circuit, such as SupergrooveSkunkhour and the Truthpreserved a more instrumental form of funk.
Since the late s hip hop artists have regularly sampled old funk tunes. James Brown is said to be the most sampled artist in the history of hip hop, while P-Funk is the second most sampled artist; samples of old Parliament and Funkadelic songs formed the basis of West Coast G-funk.
Original beats that feature funk-styled bass or rhythm guitar riffs are also not uncommon. Dre considered the progenitor of the G-funk genre has freely Various Kool It Soul Funk Jazz Go Latin to being heavily influenced by George Clinton's psychedelic funk: "Back in the 70s that's all people were doing: getting high, wearing Afrosbell-bottoms and listening to Parliament-Funkadelic.
That's why I called my album The Chronic and based my music and the concepts like I did: because his shit was a big influence on my music. Very big". George Clinton branded Digital Underground as " Sons of the P ", as their second full-length release is also titled. A very strong funk album of DU's was their release Future Rhythm. Much of contemporary club dance music, drum and bass in particular has heavily sampled funk drum breaks.
Funk is a major element of certain artists identified with the jam band scene of the late s and s. Phish began playing funkier jams in their sets aroundand 's L A M Balance Of Terror EP Story of the Ghost was heavily influenced by funk.
Lettucea band of Berklee College Of Music graduates, was formed in the late s as a pure-funk emergence was being felt through the jam band scene. Dumpstaphunk builds upon the New Orleans tradition of funk, with their gritty, low-ended grooves and soulful four-part vocals. Since the mids the nu-funk scene, centered on the Deep Funk collectors scene, is producing new material influenced by the sounds of rare funk 45s.
Although specializing in music for rare funk DJs, there has been some crossover into the mainstream music industry, such as Sharon Jones' Various Kool It Soul Funk Jazz Go Latin on Late Night with Conan O'Brien.
In the early s, some punk funk bands such as Out Hud and Mongolian MonkFish performed in the indie rock scene. Indie band Rilo Kileyin keeping with their tendency to explore a variety of rockish styles, incorporated funk into their song " The Moneymaker " on the album Under the Blacklight. Despite funk's popularity in modern music, few people have examined the work of funk women. She Various Kool It Soul Funk Jazz Go Latin that "Betty Davis is an artist whose name has gone unheralded as a pioneer in the annals of funk and rock.
Most writing on these musical genres has traditionally placed male artists like Jimi Hendrix, George Clinton of Parliament-Funkadelicand bassist Larry Graham as trendsetters in the shaping of a rock music sensibility.
Greene  notes that Davis' provocative and controversial style helped her rise to popularity in the s as she focused on sexually motivated, self-empowered subject matter. Furthermore, this affected the young artist's ability to draw large audiences and commercial success.
Greene also notes that Davis was never made an official spokesperson or champion for the civil rights and feminist movements of the time, although more recently [ when? Laina Dawes, the author of What Are You Doing Here: A Black Various Kool It Soul Funk Jazz Go Latin Life and Liberation in Heavy Metalbelieves respectability politics is the reason artists like Davis do not get the same recognition as their male counterparts: "I blame what I call respectability politics as part of the reason the funk-rock some of the women from the '70s aren't better known.
Despite the importance of their music and presence, many of the funk-rock females represented the aggressive behavior and sexuality that many people were not comfortable with. According to Francesca T. Royster criticizes Vincent's analysis of the group, stating: "It is a shame, then, that Vincent gives such minimal attention to Labelle's performances in his study. This reflects, unfortunately, a still consistent sexism that shapes the evaluation of funk music.
In FunkVincent's analysis of Labelle is brief—sharing a single paragraph with the Pointer Sisters in his three-page sub chapter, 'Funky Women. In recent years, [ when? Valnes acknowledges that funk is male-dominated, but provides insight to the societal circumstances that led to this situation. From the early s onwards, funk has developed various subgenres.
While George Clinton and the Parliament were making a harder variation of funk, bands such as Kool and the GangOhio Various Kool It Soul Funk Jazz Go Latin and Earth, Wind and Fire were making disco-influenced funk music. Following the work of Jimi Hendrix in the late s, black funk artists such as Sly and the Family Stone pioneered a style known as psychedelic funk by borrowing techniques from psychedelic rock music, including wah pedalsfuzz boxesecho chambersand vocal distorters, as Various Kool It Soul Funk Jazz Go Latin as blues rock and jazz.
Many instruments may be incorporated into funk rock, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion.
The term "avant-funk" has been used to describe acts who combined funk with art rock 's concerns. Go-go originated in the Washington, D. Inspired by singers such as Chuck BrownVarious Kool It Soul Funk Jazz Go Latin "Godfather of Go-go", it is a blend of funk, rhythm and bluesand early hip hopwith a focus on lo-fi percussion instruments and in-person jamming in place of dance tracks. As such, it is primarily a dance music with an emphasis on live audience call and response.
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