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The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt

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{PARAGRAPH}In September they played for 7 The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt in a row at the ZXZW festival, each day emphasizing different aspects of the musical legacy of Sun Ra. Inthey performed at Philadelphia's Institute of Contemporary Art in conjunction with an exhibition that explored the intersection of the Arkestra's performing legacy and the practice of contemporary art. Sun Ra's piano technique touched on many The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt his youthful fascination with boogie woogiestride piano and bluesa sometimes refined touch reminiscent of Count Basie or Ahmad Jamaland angular phrases in the style of Thelonious Monk or brutal, percussive attacks like Cecil Taylor. Often overlooked is the range of influences from classical music — Sun Ra cited ChopinRachmaninoffSchoenberg and Shostakovich as his favorite composers for the piano. As a synthesizer and electric keyboard player, Sun Ra ranks among one of the earliest and most radical pioneers. By the mids, he used a variety of electric keyboards, and almost immediately, he exploited their potential perhaps more than anyone, sometimes modifying them himself to produce sounds rarely if ever heard before. His live albums from the late s and early s feature some of the noisiest, most bizarre keyboard work ever recorded. Sun Ra's music can be roughly divided into three phases, but his records and performances were full of surprises and the following categories should be regarded only as approximations. The first period occurred in the s when Sun Ra's music evolved from big band swing into the outer-space-themed "cosmic jazz" for which he was best known. Music critics and jazz historians say some of his best work was recorded during this period and it is also some of his most accessible Baby Earl The Trini Dads Everybody Do The Ska Back Slop. Sun Ra's music in this era was often tightly arranged and sometimes reminiscent of Duke Ellington 's, Count Basie's, or other important swing music ensembles. However, there was a strong influence from post-swing styles like bebopThe Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt bopand modal jazzand touches of the exotic and hints of the experimentalism that dominated his later music. The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt BoykinsSun Ra's bassist, has been described as "the pivot around which much of Sun Ra's music revolved for eight years. After the move to Tino Contreras Y Su Grupo Quinto Sol Musica Infinita York, Sun Ra and company plunged headlong into the experimentalism that they had only hinted at in Chicago. The music was often extremely loud and the Arkestra grew to include multiple drummers and percussionists. In recordings of this era, Ra began to use new technologies—such as extensive use of tape delay—to assemble spatial sound pieces that were Cheech Chong Up In Smoke 40th Anniversary removed from earlier compositions such as Saturn. Recordings and live performances often featured passages for unusual instrumental combinations, and passages of collective playing that incorporated free improvisation. It is often difficult to tell where compositions end and improvisations begin. In this era, Sun Ra began conducting using hand and body gestures. This system inspired cornetist Butch Morriswho later developed his own more highly refined way to conduct improvisers. Though often associated with avant-garde jazz, Sun Ra did not believe his work could The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt classified as "free music": "I have to make sure that every note, every nuance, is correct If you want to call it that, spell it p-h-r-ebecause ph is a definite article and re is the name of the sun. So I play phre music — music of the sun. Seeking to broaden his compositional possibilities, Sun Ra insisted all band members double on various percussion instruments — predating world music by drawing on various ethnic musical forms — and most saxophonists became multireedistsadding instruments such as flutes, oboes, or clarinets to their arsenals. In this era, Sun Ra was among the first of any musicians to make extensive and pioneering use of synthesizers and other various Jackie McLean Michael Carvin Antiquity keyboards ; he was given a prototype Minimoog by its inventor, Robert Moog. Ra immediately added the instrument to his repertoire of keyboards, later acquired a second, and featured the Minimoog prominently on many of his recordings of the early s. During their third period, beginning in the s, Sun Ra and the Arkestra settled down into a relatively conventional sound, often incorporating swing standards, although their records and concerts were still highly eclectic and energetic, and typically included at least one lengthy, semi-improvised percussion jam. Sun Ra was explicitly asserting a continuity with the ignored jazz tradition: "They tried to fool you, now I got to school you, about jazz, all about jazz" he rapped, framing the inclusion of pieces by Fletcher Henderson and Jelly Roll Morton. In the s Sun Ra took a liking to the films of Walt Disney. He incorporated smatterings of Disney musical numbers into many of his performances from then on. In the late s the Arkestra performed a concert at Walt Disney World. The Arkestra's version of " Pink Elephants on Parade " is available on Stay Awakea tribute album of Disney tunes played by various artists and produced by Hal Willner. A number of Sun Ra's s concerts are available on CD, but none have received a wide release in comparison to his earlier music. The album Atlantis The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt be considered the landmark DJ Trance and Darwin Chamber Indians And Aliens led into his s era. During concerts, the OVC usually was positioned at center stage behind the Arkestra while Sebastian sat on stage with the musicians. Dozens of musicians—perhaps hundreds—passed through Sun Ra's bands over the years. Some stayed with him for decades, while others played on only a few recordings or performances. Sun Ra was personally responsible for the vast majority of the constant changes in the Arkestra's lineup. According Elisabeth Waldo Maracatu contrabassist Jiunie Bootha member of the Arkestra, Sun Ra did not confront any The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt whose performance he was unsatisfied with. Instead, he would simply gather the entire Arkestra minus the offending musician, and skip town—leaving the fired musician stranded. The following is a partial list of musical collaborators, and the eras when they played with Sun Ra or the Arkestra:. The OVC was a giant machine, played with hands and feet, that allowed artists to create and finger-paint with light similar to how musicians create and explore sound with their instruments. The name of the instrument arose from Bill Sebastian's collaboration with Sun Ra. Sun Ra incorporated the OVC into the Arkestra Vulfpeck Fugue State and experimented with Bill on video applications from to John Bishop, of Video Magazine, stated of the OVC that "the emotional energy of the visuals equals and at times surpasses that of the music. The images are not slaves to the sounds but function the way a dancer does; interpreting, harmonizing, and enlarging the space created by the music. Sun Ra's world view was often described as a philosophy, Francis Lai Young Freedom he rejected this term, describing his own manner as an "equation" and saying that while philosophy was based on theories Kevin Harrison Fly abstract reasoning, his method was based on logic and pragmatism. Many of the Arkestra cite Sun Ra's teachings as pivotal and for inspiring such long-term devotion to the music that they knew would never make them much money. His equation was rarely if ever explained as a whole; instead, it was related in bits and pieces over many years, leading some to doubt that he had a coherent message. However, Martinelli Selvagem Tudo Bem Luanda that, when considered as a whole, one can discern a unified world view that draws upon many sources, but is also unique to Sun Ra, writing:. He drew on sources as diverse as the KabbalahRosicrucianismchannelingnumerologyFreemasonryAncient Egyptian Mysticismand black nationalism. Sun Ra's system had distinct Gnostic leanings, [51] arguing that the god of most monotheistic religions was not the creator god, not the ultimate god, but a lesser, evil being. Sun Ra was wary of the Bible, knowing that it had been used to justify slavery. He often re-arranged and re-worded Biblical passages and re-worked many other words, names, or phrases in an attempt to uncover "hidden" meanings. The most obvious evidence of this system was Ra's practice of renaming many of the musicians who played with him. And a lot of times it was humorous, and a lot of times it was ridiculous, and a lot of times it was right on the money. According to Szwed, [55] Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In he said:. I couldn't approach black people with the truth because they like lies. They live lies At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up. Sun Ra is considered to be an early pioneer of the Afrofuturism movement due to his music, writings and other works. The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected. Many of Sun Ra's innovations remain important and groundbreaking. Ra was The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt of the first jazz leaders to use two double basses, to employ the electric bass, to play electronic keyboards, to use extensive percussion and polyrhythmsto explore modal music and to pioneer solo and group freeform improvisations. Sun Ra had given NRBQ's Terry Adams a copy of the song on 45 and told him, "This is especially for you," which Adams reported inspired him to reform the band after a period of inactivity. The band still includes Sun Ra's compositions in their performances, and besides "Rocket 9" have released recordings of "We The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt the Spaceways" and "Love in Outer Space. Adams has joined the Arkestra as their pianist on several tours, most recently during a February tour of cities The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt the US southeast. Detroit 's MC5 played a handful of shows with Sun Ra and were influenced by his works immensely. One of their songs from their premiere album Kick Out the Jams featured a track called Starshipwhich was based on a poem by Ra. Search This Blog. New album, new tunes. Where The Action Really Is! Soul Blogs. Aquarium Drunkard: Music Blog. Awesome Tapes from Africa. 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9 thoughts on “ The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band In Egypt

  1. Vutilar
    See contact information and details about Sun Ra Arkestra, The Meets Salah Ragab Plus Cairo Jazz Band, The And Cairo Free Jazz Ensemble, The - In Egypt.
  2. Vujora
    May 01,  · From "The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band ‎In Egypt" Praxis - CM (LP) Distributed by Soundwave Limited - Greece, Compose From "The Sun Ra Arkestra Meets Salah.
  3. Yojas
    Discover releases, reviews, track listings, recommendations, and more about The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band - In Egypt at Discogs. Complete your The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band collection/5(54).
  4. Vudom
    Cairo Jazz Band discography and songs: Music profile for Cairo Jazz Band, formed Genres: Arabic Jazz, Big Band, Avant-Garde Jazz. Albums include Egyptian Jazz, The Sun Ra Arkestra Meets Salah Ragab in Egypt, and The Sun Ra Arkestra Meets Salah Ragab in Egypt plus The Cairo Jazz Band and The Cairo Free Jazz Ensemble.
  5. Marg
    The CD chronicles the efforts of Sun Ra and Salah Ragab, with the latter playing percussion with the Arkestra, which has three numbers; Egypt Strut, Dawn, Watusa. Ragab is featured on four songs with the Cairo Jazz Band and Cairo Free Jazz Ensemble/5(2).
  6. Digul
    The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band And The Cairo Free Jazz Ensemble - In Egypt ‎ (CD, Album, RE, Gat) Golden Years Of New Jazz GY /5(22).
  7. Fausho
    In , Sun Ra traveled throughout Egypt with the Arkestra at the invitation of the drummer Salah Ragab. He returned to Egypt in and , when he recorded with Ragab. Recordings made in Egypt were released as Live in Egypt, Nidhamu, Sun Ra Meets Salah Ragab, Egypt Strut and Horizon.
  8. Kihn
    Salah Ragab accompanied band leader and composer Sun Ra on a Tour in Egypt, Greece, France and Spain in He also studied jazz theory and improvisation with the jazz musician and composer Osman Kareem, with whom he formed the first jazz quintet in Cairo in , recording with the Radio Service of Cairo.
  9. Dubei
    The Sun Ra Arkestra Meets Salah Ragab Plus The Cairo Jazz Band And The Cairo Free Jazz Ensemble - In Egypt ‎ (CD, Album, RE, Gat) Egypt Strut ‎ (LP, Album, RE, ).

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