She began her EMI Columbia Schubert Johanna Martzy Jean Antonietti Sonatina No 3 In G Minor Sonata In A Major D 574 career inbut after the 8 recordings listed below she ceased recording for Columbia inlegend or gossip having it that she spurned the advances of the producer Walter Legge and thus things at EMI became difficult, or at least embarrassing.
Sadly these recording were deleted from the catalogue after only a few years and were never reissued by Columbia. Interested in reading more about Johanna Martzy? Try this article from Soundstagehifi. Notes and Editorial Reviews The hushed, sustained intensity with Schubert Johanna Martzy Jean Antonietti Sonatina No 3 In G Minor Sonata In A Major D 574 she imbues softer, more introspective music easily explain why certain collectors fawned over Martzy.
Martzy tends to favor slow tempos, yet she holds interest by virtue of her hefty tone what richness she gets from the lowest strings! If she doesn't match the elder Szigeti's harmonic intensity, her superior intonation and steadier bow arm compensate, save for her sometimes labored execution in the E major Read more Preludio.
That said, I find faster movements such as the G minor Presto, A minor Allegro, and C major Allegro assai rather square Tom Holkenborg AKA Junkie XL Mad Max Fury Road Original Motion Picture Soundtrack uneventful in Martzy's hands, while her C major Fuga and both B minor and D minor Correntes sound relatively flaccid and under-characterized in comparison with James Ehnes' comparably measured traversals.
But the hushed, sustained intensity with which she imbues softer, more introspective music such as the great D minor Chaconne's central major section and The Fearless Four Rockin It A minor Andante easily explain why certain collectors fawned over Martzy. It is strange, then, that so few really recommendable Schubert Johanna Martzy Jean Antonietti Sonatina No 3 In G Minor Sonata In A Major D 574 of them have been made.
It is therefore no surprise that these beautiful interpretations by Johanna Martzy and Jean Antonietti have become legendary. It was published in April by Artaria as the composer's Op. The publication of Schubert's works for violin and piano had started in and was completed quarter of a century later.
The pieces were recorded in the 20th and 21st century. The first six pieces in that volume were Schubert's compositions for violin and piano, all of which had been published before: . Series VI, Volume 8 of the New Schubert Editionpublished incontained the same works as series VIII of the 19th-century collected edition, but presented them in chronological order of composition. From Wikipedia, the free encyclopedia. See also: Violin Sonatas, Op. D Fantasy in C major.
See also: Rondo in B minor for violin and piano, D Schubert. See also: Fantasy for violin and piano Schubert.
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