Her new band was more electronically oriented and contained Ambrose Reynolds who had played with Casey in Mike Ink Dadajack In Japan in the s, and was an early member of Frankie Goes To Hollywoodthe duo initially using several other musicians, later becoming a trio with the addition of Tadzio Jodlowski.
The band's debut album, Low Technologywas released the following year, reaching number 12 on the UK Pink Industry Dont Let Go Chart. Between andthe band recorded four sessions for Peel. After a two-year gap since their previous release, the band returned in with the New Beginnings album.
A final single was released in latethe band splitting up around the same Pink Industry Dont Let Go. Liverpool Pink Industry Dont Let Go a long established and well-documented musical heritage. Pink Industry Dont Let Go Military were classic post-punk, with a sound reminiscent of a more austere Siouxsie and the Bansheeswith fully embraced electronics and experimental art leanings.
Jayne Casey returned in as half of the duo Pink Industry. The other half, Ambrose Reynoldswas an established Liverpool musician who had also briefly passed through the ranks of Big in Japan. Utilising drum machines, synthesizers, tapes and processed bass and guitar, still a relatively unusual approach inPink Industry were a giant step on from Pink Military.
LA told me, Pink Industry Dont Let Go be a pop star, All you have to change is everything you are. Doctor, doctor won't Pink Industry Dont Let Go please prescribe somethin A day in the life of someone else?
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