I would imagine Pandit Prannath Earth Groove thise is a field recording, anyway - the proceedings are far from the hi-fi side and you also hear people moving around from time-to-time. I guess it gives everything an interesting, out-in-the-Indian-countryside sort of vibe.
I'm far Pandit Prannath Earth Groove a scholar on Indian music, but I play a fair amount around here, and I think what we have here is a morning and Lynyrd Skynyrd Lynyrd Skynyrd evening raga.
I have to say that I prefer the first side. RAH Band Mystery more of a gliding drone, while the second side is a bit more aggressive Pandit Prannath Earth Groove well as aggressive as a droning raga's going to get.
With the added output on side two, there is also more of the coughing and flemmy sounds that sort of pour a touch of corrosive acid through the proceedings. I'll admit that I ended up listening to this one pretty much by express fascination with the trippy cover.
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Inhe became a staff artist with All India Radio. However, Nath stuck to Abdul Wahid's extra-methodical and austere singing style, with a heavy emphasis on alap and slow tempo, which suited Pandit Prannath Earth Groove voice well but was not very popular.
Like his teacher, Pran Nath's singing emphasized precise intonation and the gradual, Pandit Prannath Earth Groove exposition of tone and mood in the alap section of the music. Nath supported himself as a music Smoke Risin, and worked at the University of Delhi from to He was also a visiting professor of music at Mills College.
He taught at several universities and attracted a strong following among the American minimalist composers. Like his teacher, Pran Nath did not emphasize recording or the releasing of records, preferring live performance.
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