In Poem 15, the soprano is joined by the Chorus Of Boys in a quieter insight. Anger and lust return to Poem 16 with baritone lead. This leads to a resounding affirmation with double chorus that is captivating. Subsequently, his music reflected some aspects of Americana. Based on music by Carla Maria Von Weber, it is a four-movement ballet score with Romantic-era instrumentation significant percussion. Steeped in European compositional structure, the symphony was arranged for American orchestras.
The first movement allegro has a forceful, almost military-like intro, but there is a transition to melodic strings and woodwinds. A lilting resonance is offset by a bell. The finale Marche has a processional fanfare brasscrashing cymbals, integrated woodwinds and the requisite incendiary climax. This vinyl Carl Orff Paul Hindemith Robert Shaw Atlanta Symphony Orchestra And Chorus Judith Blegen Hakan Hageg of Carmina Burana and Symphonic Metamorphosis is superior.
The s eparation is precise and vibrant. Male and female chorus are at opposite channels. When they combine the mix is vigorous. The vocalists are centered, and Michael Jackson Xscape volumes are ample to keep the bigger orchestra from overwhelming them.
Carl Orff Paul Hindemith Robert Shaw Atlanta Symphony Orchestra And Chorus Judith Blegen Hakan Hageg I in Springtime : Omnia sol temperat. Part I in Springtime : Ecce gratum. Part I On the Lawn : Dance. Part I On the Lawn : Floret silva nobilis. Part I On the Lawn : Chramer, gip die varwe mir. Part I On the Lawn : Were diu werlt alle min. Part II in the Tavern : Estuans interius. Part II in the Tavern : Olim lacus colueram. Part II in the Tavern : Ego sum abbas.
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