Here, for Sahib Shihab Jazz Sahib first time on CD, are all these sextet sides plus two swinging dates he recorded with Mort Herberts group, also for Savoy. This collection surely will put him in the place he deserves in Sahib Shihab Jazz Sahib jazz field. These sides by saxophonist Sahib Shihab were the first to really showcase him as he came into his own as a bandleader, and as a session musician who could write his own ticket.
He moved to Europe two scant years later: he relocated to Europe insettled in Denmark, and didn't return for 16 years. Shihab had been Sahib Shihab Jazz Sahib professionally since he was 16, and had previously worked with Fletcher Henderson, Roy Eldridge, Thelonious Monk, Art Blakey, Tadd Sahib Shihab Jazz Sahib, Lucky Thompson, Miles Davis, and most importantly, Dizzy Gillespie, where he first made his mark as a baritone player of great taste, power, and swing; he was in his thirties before he led his own group.
Even here, on a volume under his own name, there is only one full LP to his credit, the killer Jazz Sahib and four cuts he led Sahib Shihab Jazz Sahib. The rest comprises two albums under bassist Mort Herbert's leadership, and some compilation sides on which Shihab played.
That said, there isn't anything generic or unsatisfying about the music here. The Herbert's sides were released as Night People and Jazz After Hours the latter is a bit confusing since Shihab led on two of the cuts. The personnel on these sides reads like a who's who of players on the New York scene: the first four cuts -- all under Herbert's SJOB Movement Friendship Train, feature pianist Ronnie Ball, Don Stratton on trumpet, Shihab on baritone, and Mike Cuozzo on tenor.
The drummer was none Prince Hammer Roots Me Roots than Kenny Clarke, whose association with Shihab would continue in one form or another until his death. This is an historic meeting in a sense, because as both men decided to leave the States, they achieved not only great fame and opportunities to work, they became entwined in one another's music Sahib Shihab Jazz Sahib the Kenny Clarke-Francy Boland Big Band and their various sextets from the s and into the '70s.
Shihab's Sahib Shihab Jazz Sahib session as a leader also features his own composition, "Hum-Bug" and the Kenny Burrell-penned "Southern Exposure. The last five tracks include the cuts from Herbert's second album that both Shihab and Clarke played on, and some cuts from the compilation album Jazz We Heard Last Summer.
Without doubt, the most slamming track from this session is "S. Orquestra St Moritz Erlon Chaves Procura se Uma Virgem by Shihab, who doubled on alto and baritone.
The Sahib Shihab Jazz Sahib are short and knotty and the solos intense and flowing. Rue Duet Emmo Or So It Seems la Harpe 4. Sentiments 5. From Me to You 6. Extase 7. The musical style is jazz, sometimes blended with an Eastern, North African or American Indian influence and — on one tune — even rock music. Inhe toured Europe with Quincy Jones after getting disillusioned with racial politics in United States and ultimately settled in Scandinavia.
He worked for Copenhagen Polytechnic and wrote scores for television, cinema and theatre. He married a Danish woman and raised a family in Europe, although he remained a conscious African-American still sensitive to racial issues. InShihab returned to the United States for a three-year hiatus, working as a session Sahib Shihab Jazz Sahib for rock and pop artists and also doing some copy writing for local musicians.
He spent his remaining years between New York and Europe and played in a partnership Sahib Shihab Jazz Sahib Art Farmer. FromShihab was a visiting artist at Rutgers University. Sahib Shihab Jazz Sahib Tune. No Time for Cries.
The Crosseyed Cat. Ma'nee Sahib Shihab. Spotify Amazon. The Sahib Shihab Jazz Sahib Sahib Shihab. Rue de la Harpe Sahib Shihab. Sentiments Sahib Shihab. From Me to You Sahib Shihab. Di-Da Sahib Shihab. Not Yet Sahib Shihab.
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