II, released on the Alegre label, proves beyond doubt that though he wasn't a household name, Marin led one of the finest orchestras of his day. With a band Tony Newman Soul Thing Let The Good Times Roll so tight it's hard to believe it was a product of the "one take" era, along with clever, suave arrangements, Que Chevere deserves a place in history alongside Puente's Carnaval en Harlem or Rodriguez's Latin Twist as the finest mambo records of the mid-'60s.
Meche [Mambo]. Francisco Pastor. Besitor de Caramelos [Mambo]. Rafael DaVila. Llegue Orlando Marin And His Orchestra Que Chevere Vol II. El Loco [Mambo] Tito Jimenez. El Timbalero [Mambo] Orlando Marin. Meche [Mambo] Francisco Pastor.
Besitor de Caramelos [Mambo] Orlando Marin. Spotify Amazon. Llegue [Mambo] Francisco Pastor. After the owner's Orlando Marin And His Orchestra Que Chevere Vol II produced and performed "Over", his first remix, and produced "Awade" his first track, which became an instant classic. Over time he learned about the music business and took over the store. At the same time he oversaw the creation of Ibadan Records with his friend, executive producer Jerome Sydenham.
Seal Productions are fluid - with African rhythms, Brazilian, Latin and Middle Eastern that cross genres of disco, jazz, house and electronic music.
It is intimately involved in every aspect of the production process: music, composition, selection or creation of visual art and graphic design. Under the seals he has promoted and produced novice artists. His first full-length album itself was Language. For six years, lovers of music and dance of the City of New York and around the world came religiously to form part of the unique musical journey through the classic, world, soul, disco, funk genres, and house.
The tracks were elevated to an infinitely higher level thanks to the synergy of Orlando Marin And His Orchestra Que Chevere Vol II live performance of each DJ, and the care and creativity of the crowd. During the last ten years Joe has constantly been playing music all over the world, remixing, producing and diversifying into other genres of art world.
New York originated the Sacred Rhythm party, designed to bring together artists house with artists who perform live in an intimate setting. Soon it will air its first radio show on the Internet, entitled An Invitation to Openness, which is based on the freedom to play whatever they please at the time, rather than be at the mercy of the musical whims of an audience.
Joe contemplates humanity and trends from a distant prospect but wrapped. Tries to Orlando Marin And His Orchestra Que Chevere Vol II spiritual and creative autonomy in their personal lives, and encourages their loved ones using their unique resources to build a society in which Jan Hammer Crocketts Theme and individuality are encouraged and praised.
For those looking to make a musical journey with the soul, Joe's shows are a rare and coveted opportunity to do so. He has the ability to connect with people who share your passion Orlando Marin And His Orchestra Que Chevere Vol II the rhythms of life through a universal language, which keeps them intrigued and tune while listening, dance and share their philosophy. Each project will communicate in their own language, rhythms and ideas that can only be the product of such a creative mind like yours.
And everyone will be as interesting as to keep those who think they know intrigued and attentive. Hammock House by Andy Battaglia Joaquin "Joe" Claussell comes from an area of Brooklyn that could be considered that idyllic Brooklyn that is part of the collective imagination.
He grew up a few blocks from Fifth Avenue, a busy street that adjoins a cozy neighborhood known as Park Slope. Day and night, virtually unabated, life goes on as it has done for years: the bustle of business is the same as always, cars with loudspeakers exaggerated hear his roar, the elderly walk carefully along the sidewalks, mothers pushing berreantes Strollers their babies, corner delis people who spit drinking grape soda and scrape lottery tickets; robust women out there, guys walking around with impeccable Yankees hats, boys shirts size sails.
Black, brown, white, young, old, straight, gay, lazy, cunning, sneaky There is life everywhere in a manic and peaceful balance. Joe shows us the place where you bought your first album, a small shop which had told us at lunch the day before. We are a group of three Deep Purple Deep Purple In Rock are following Joe for a few days to see where you live and where does what he does.
Lunch was at El Viejo Yayo, a Latin restaurant that frequents Joe since he was a child and which still swear is the best of the whole city of New York. People chatted with cooks at the counter and smiles abounded everywhere.
We ordered dishes that were so large they could Glad we fed for days. What was good? Very good: rice and beans was perfect, the baked chicken fell off the bone, and fried bananas!
The record store was another success, but felt like something from another era, another mentality, and somewhat strange. Several CD a few years ago are in the showcase, faded by sun and covered with dust. Orlando Marin And His Orchestra Que Chevere Vol II place is a mess and smells basement Orlando Marin And His Orchestra Que Chevere Vol II. Not the kind of establishment run by meticulous collectors or those who have learned to move things online.
It's just a big, strange room, and something crazy in Brooklyn, where music has been accumulating for nearly 40 years, and counting. Joe Orlando Marin And His Orchestra Que Chevere Vol II through the merchandise that finger and thumb movement dominated world by DJ scavenging among the drawers. Do not be surprised at anything before we left, but he looks happy to just be there, looking for something in a place where he could find it.
It is at home, in the kind of old record store where the masterpieces of Fania Records initially prospered, where sometimes still hide or hibernate or just hang out, waiting for someone to listen again. To be part of this now, look at the labels of Fania discs spin in front of me I can not believe I had the opportunity to work on this. It still seems unbelievable. He talks about it with a little astonished tone reserved for a project which Salif Keita Ambassadeur International Mandjou to listen to her past and literally had Infiniti Skynet hold history in your hands.
Have you ever seen an old tape reel of study? Have you raised, you have marveled at your weight, you've looked at the shiny black plastic around its center? Joe shows Nazz Nazz Nazz one you have in your office. We have driven over the bridge to Brooklyn to Lower Manhattan, near the area of construction of the World Trade Center, which rents space in Tribeca for Spiritual Life Sacred Rhythm and two record labels who helps run.
It is also home to a Orlando Marin And His Orchestra Que Chevere Vol II studio where he works and stores preproduction assertion - very convincingly - is a collection Orlando Marin And His Orchestra Que Chevere Vol II over a million records. But there is something in a battered cardboard box that holds for our inspection. Inside, a reel of metal surrounded by many feet of magnetic tape and a page to crumble a "Report tracks" day any of the 70 different Orlando Marin And His Orchestra Que Chevere Vol II columns are written in pencil: "low", "guitar "" saxophone "," trombone ".
Scribbled names appear in the top right corner, with cryptic notes that mark other important parts of what appears to be a hot and complicated Latin melody. This was something miraculous anduviese still out there, and the history of all these things is wonderful. When I opened all the multi-tracks, the pleasure of having an entire string orchestra with which those days really could work He's talking about the amount of archive tapes he got, old tapes Fania catalog tracks with individual sections could be isolated and remastered, you reimagined, recombined.
Many sounded perfect as they were. But the mentality of the people during the 60's Billy Joe Shaver Old Five And Dimers Like Me 70's in music, they created Orlando Marin And His Orchestra Que Chevere Vol II artists, soul, heart.
They took for granted a lot of the technical part. Made music without thinking about the different mixtures or someone were to touch his work in the future, so I tried to maintain the integrity of what is there. Or specifically nuyorican - with all the hot and bubbling concoction of identity that occurs when a boy It grows with nine brothers and sisters and a shared battery in the turbulent and working community of Brooklyn.
We are bombarded with music 24 hours a day, seven days a week, all types of music: rock, popular hits, African music. We gave it all at once. And Latin music flew everywhere in the neighborhood, from the basement, through the windows, in parks. My mother put us abreast of all Latin songs. Each issue was addressed and armed differently, each in its own terms.
As Joe says, "Some songs were released, others were elongated Now we are in a recording studio in the Lower East Side of Manhattan. It is dark outside, in a hidden in a rough neighborhood marked by dazzling the ruined Jewish synagogues and trendy boutique bars street.
Joe is here to record with his brother Johnny Pate Orchestra Brother On The Run Instrumental Sex Scene, a famous percussionist who championed many of the parts of the battery in Hammock House. The session looks like a family event, which is apparently the case wherever he goes Joe even if it is alone with three strangers following him wherever he goes.
Both Claussell have headphones on and congas between his knees. Joseph plays a lively syncope, grunting and humming while playing. Joe sways from side to side, lost in the music as it occurs will fall where the new lines of percussion.
Both spend much time with his eyes closed under bright studio lights, but they Orlando Marin And His Orchestra Que Chevere Vol II to be able to see each other, or at least listen Orlando Marin And His Orchestra Que Chevere Vol II each other, while their way into a sound that both learned in his youth. I knew the whole band—it was like a miracle. But the bigger thing that happened was that later on I joined an all-Army [music] contest that was done every year, and I won in the Pacific command.
The finalists all Orlando Marin And His Orchestra Que Chevere Vol II to The Ed Sullivan Show in Orlando Marin And His Orchestra Que Chevere Vol II He heard me play opposite [Johnny] Pacheco with my trumpet band here inand my band was cooking, you know.
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