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Pop music was a vibrant part of our upbringing; post-Beades and post-Monterey Pop, music of the Third World encroached on die ears of die First and Second; and Various Ghosts And Monsters Technology And Personality In Contemporary Music from Lucier to Cage to Hovannes urged us to listen to die natural environment and its non-human inhabitants.
Though Boulez still has a firm grip on die purse strings of French musical funding, and the ghost of Cage is still very much present in die profusion of post-mortem concertsthe "cult of personality" appears to be fading. Today a young Rorem might well substitute "Microsoft" for "Pierre Boulez" in his demonology. For many Various Ghosts And Monsters Technology And Personality In Contemporary Music, technology has supplanted personality as die topic of conversation, the catalyst for change, die impediment to progress, die divisive force, die stylistic bellwedier.
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