Under the Stockhausen The London Sinfonietta Kreuzspiel Kontra Punkte Zeitmasze Adieu of the Stockhausen Foundation, Stockhausen's recorded works will never go "out of print", making all of them available to the public.
The Stockhausen The London Sinfonietta Kreuzspiel Kontra Punkte Zeitmasze Adieu Edition CDs are organized mostly in historical order, although some volumes are focused on particular categories of chamber works flute, winds, Kraftwerk Numbers, trumpet, percussion, etc Brief descriptions of each CD follow with links to the relevant analysis pages on the main site.
All performances conducted and mixed by Karlheinz Stockhausen Yuzo Koshiro The Revenge Of Shinobi otherwise indicated. Subjects Sextets Piano, clarinet, oboe, percussion Instrumental ensembles. Allow this favorite library to be seen by others Keep this favorite library private. Find a David Tudor Music For Piano in the library Finding libraries that hold this item Find more information about: Karlheinz Stockhausen.
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Woodwind quintets Bassoon, clarinet, English horn, flute, oboe View all subjects. Similar Items. Durations: 11 min. Program notes by Stockhausen with English translation by R. Not the same Gestalten in a changing light.
But rather this: various Gestalten in the same light, that permeates everything" Stockhausen The first, untitled version, written in —53, was a sparse-textured, " punctual " composition scored for fluteE-flat clarinet Stockhausen The London Sinfonietta Kreuzspiel Kontra Punkte Zeitmasze Adieu, contrabass clarinetcontrabassoontrumpetcontrabass tubapiano four handsharpviolinand double bass Assis This score was almost immediately rejected by the composer, who created a new version in the spring of for flute, clarinet in A, Valerie Dore Get Closer clarinetbassoontrumpet, trombonepiano one playerharp, violin, and cello.
This version has the distinction of being "Nr. The hyphenated title signifies a "counter-action" against the punctual style currently in vogue in the early s, an action embodied in the composition itself as a process of transforming dissociated "points" into cohesive "groups" of notes, and therefore from an essentially static condition to an audibly dynamic one.
The title Stockhausen The London Sinfonietta Kreuzspiel Kontra Punkte Zeitmasze Adieu implies a criticism of Stockhausen's own earlier composition Punkteas well as of his friend Pierre Boulez 's work Polyphonie X —a criticism for which Boulez seems to have forgiven Stockhausen Maconie— This performance, however, was only of roughly the first two-thirds of the work, owing to lack of sufficient time for the pianist to prepare the extremely difficult closing part.
Later that same year, Scherchen conducted the first complete performance on a Domaine musical concert in Paris Kurtz One review of the partial premiere reported that Scherchen immediately repeated the piece because, shortly after the beginning of the first performance, the pianist had gotten two bars behind, despite being assisted by the composer "who from time to time played a note obviously not within the capacity of ten fingers but required by the score" Wolf
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