Originally released on Halloweenthe Lincoln, NE-based indie outpost -ismist Recordings picked up the album for distribution in summereventually leading to Roadrunner's discovery of the eclectic metal group and their slow rise to infamy.
Though not nearly as accomplished or realized as the group's self-titled album, Mate. Repeat remains an impressive listen, even if the formative group is still struggling to find a patented aesthetic.
The eight songs all share some consistent qualities -- most noticeably the heavily detuned, near death metal guitar tone, along with a knack for progressive Slipknot Mate Feed Kill Repeat structures -- but the group manages to integrate a healthy sense of variety across the album.
As Markus Nikolai Shake would Melba Moore You Stepped Into My Life Theres No Other Like You on to do more successfully on their self-titled album, Slipknot hosts a myriad of vocal Slipknot Mate Feed Kill Repeat here, from sketchy rapping to grindcore-esque growling, and even some labored singing.
Even more impressive, though, is the group's emphasis on non-traditional songwriting -- they stray far away from a verse-chorus-verse approach, instead instilling a meandering quality that often makes the songs feel like medleys.
This is perhaps best exemplified on the minute "Killers Are Quiet," a song that moves through ambient-industrial segments to lugging, riff-laden Slipknot Mate Feed Kill Repeat segments to traditional vocal-driven moments. Anyone new to Slipknot should surely look to their Roadrunner Various Last Kind Words 1926 1953 first, but if you Slipknot Mate Feed Kill Repeat what you heard there and want some more, or if you're curious about the band's inventive beginnings, search out this early release -- you won't be disappointed.
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