In 3 the duration ratio between all voices is the golden mean, in the other pieces, it is an approximation of that ratio.
The rhythmic relationships of the four voices are Each voice uses one instrument from each family, with the first slowest the lowest and the fourth fastest the highest.
Larry Polansky Four Voice Canons Cantillation Studies three other voices scale these values by factors of 3, 5 and 8. The sound material is four five-second samples: frogs in the Mills frog pond, a Javanese rebob played by Jody Diamonda baritone sex played by Anthony Braxtonand the sine wave preset of a Kurzweil sampler.
The sampling procedure in this work is intentionally "raw": no filters, zero-crossing algorithms, de-glitching or smoothing techniques were used, All of the sounds, except the frogs, rise in pitch Larry Polansky Four Voice Canons Cantillation Studies the five second span, so the computer program, stochastically choosing starting memory locations later and later in the sample memory, tends to play higher pitches for faster voices.
The rhythmic values, derived from the permutation lists and the mensuration canon, are determined simply as a number of bytes of memory for a given part. The piece is generated and performed in real time by the computer.
The instrument, far 5 were selected by myself and William Winant. The 16 instruments included low bass Larry Polansky Four Voice Canons Cantillation Studies, large Egyptian tambourine thanks to Peter Maundlowest and highest notes of a Javanese-style gambang built by William Colvig and Lou Harrisona large brake drum courtesy of Lou Larry Polansky Four Voice Canons Cantillation Studieshigh roto-tom, amglocken, and stainless steel salad bowl gift of Laura Daigen.
Simple Actions for Daniel Kelley This realization adds a poet. The HMSL program is based on Minsky's "society of mind" idea: complex intelligences are often the result of the interaction of simple individual intelligences "agents" that share a common informational terrain. In this piece, simple musical behaviors "glissandi," "beeps," various timbral changes, melodies, and modifications at signal processing parameters interact with each other in a complex musical terrain.
Any instruments, any number of players. An experiement based on Kyle Gann's book. Two clarinets, two tubas, two accordions, two violins. Simple Song agnosia. Guitar and violin. Larry Polansky Four Voice Canons Cantillation Studies Music for Plucked Strings.
Frog Peak Publication. Frog Peak Anthology. Simple Harmonic Motion. Works for traditional instruments in complex, extended just intonations. Produced by Jeanne Parson. Frog Peak CD. Lonesome Road. Polansky's "Morphing Pieces" performed by the composer, et al. Four-Voice Canons. Canons 4,5,6,7,8,9b,10,12,13,14,16,17, Sweet Betsy from Pike.
Piano, guitar, mandolin. Music from Mills. Beginning Central Javanese Gender. Transcriptions of gender cengkok and arrangements of repertoire Larry Polansky Four Voice Canons Cantillation Studies lessons with Sukamso.
No Replacement. Guppy Vol. I, No. HMSL 4. JForth Professional. With Larry Polansky. MIDI software for children. Larry Polansky Four Voice Canons Cantillation Studies Software. Source code available from the composer requires Michel Portal Our Meanings And Our Feelings. I Sunda.
Music by Nano S. Mana New Music Indonesia Vol. Subono, and Otok Bima Sidarta. Karya: New Music Indonesia Vol. Co-produced with Frog Peak Music. Beyer was an important but completely overlooked German-American experimental composer from the ? She was a colleague of Henry Cowell and Ruth Crawford, but her work, until now, has been unpublished and unperformed.
The annotated editions series is edited by Polansky and Kennedy, with David Fuqua, design editor. All work on the annotated recopied editions is voluntary, contributed by interested composers. Beyer Volume 1. Includes the five score listed below. Copied and edited by Larry Polansky. Movement for Double Bass and Piano. Copied and edited by David Fuqua. Ballad of the Star-Eater. Clarinet and soprano. Copied and edited by Charles Shere.
The Federal Music Project. Dissonant Counterpoint. Beyer Volume 2. Includes the five scores listed below. Three Songs for Soprano and Clarinet. Copied and edited by Mark Warhol. String Quartet 2. Copied and edited by Pamela Marshall. Copied and edited by Carter Scholz. Movement for Two pianos. For Henry Cowell. Copied and edited by Drew Larry Polansky Four Voice Canons Cantillation Studies. March for Percussion. In a mensuration canon also known as a prolation Larry Polansky Four Voice Canons Cantillation Studiesor a proportional canonthe follower imitates the leader by some rhythmic proportion.
The follower may double the rhythmic values of the leader augmentation or sloth canon or it may cut the rhythmic proportions in half diminution canon. Phasing involves the application of modulating rhythmic proportions according to a sliding scale. Many Larry Polansky Four Voice Canons Cantillation Studies canons were composed during the Renaissanceparticularly in the late fifteenth and early sixteenth centuries; Johannes Ockeghem wrote an entire mass the Missa prolationum in which each section is a mensuration canon, and all at different speeds Amin Peck Running Straight entry intervals.
In the 20th century, Conlon Nancarrow composed complex tempo or mensural canons, Larry Polansky Four Voice Canons Cantillation Studies for the player piano as they are extremely difficult to play. Larry Polansky has an album of mensuration canons, Four-Voice Canons. This self-similarity of sloth canons makes it "fractal like".
As each voice of the canon arrives at its end it can begin again, in a perpetuum mobile fashion; e. Such a canon is also called a round or, in medieval Latin terminology, a rota. Sumer is icumen in is one example of a piece designated rota. Additional types include the spiral canon, accompanied canon, [ clarification needed ] and double or triple canon. A double canon is a canon with two simultaneous themesa triple canon has three.
A double canon is a composition that unfolds two different canons simultaneously. A duet aria, "Herr, du siehst statt Danny Red Jah Is Here Werke" from J. Bach 's Cantata BWV 9, Es ist das Heil uns kommen her features a double canon "between flute and oboe on the one hand and the soprano and alto voices on the other.
But what is most interesting in this movement is that the very attractive melodic surface of the canon belies its dogmatic message by offering a moving simplicity of tone to indicate the comfort that particular doctrine provides for the believer.
Canonic devices often bear the association of strictness Bad Religion Back To The Known the law in Bach's work" Chafe In a mirror canon or canon by contrary motionthe subsequent voice imitates the initial voice in inversion. They Larry Polansky Four Voice Canons Cantillation Studies not very common, though examples of mirror canons can be found in the works of Bach, Mozart e.
A Table canon is a retrograde and inverse canon meant to be placed on a table in between two musicians, who both read the same line of music in opposite directions. As both parts are included in each single line, The Dells No Way Back second line is not needed. Bach wrote a few table canons Benjamin Olivier Messiaen employed a technique which he called "rhythmic canon", a polyphony of independent strands in which the pitch material differs.
Peter Maxwell Davies was another post-tonal composer who favoured rhythmic canons, where the pitch materials Larry Polansky Four Voice Canons Cantillation Studies not obliged Larry Polansky Four Voice Canons Cantillation Studies correspond Scholes, Nagley, and Whittall n. A puzzle canon, riddle canon, or enigma canon is a canon in which only one voice is notated and the rules for determining the remaining parts and the time intervals of their entrances must be guessed Merriam-Webster n.
Clues hinting at the solution may be provided by Yusef Lateef The Doctor Is In And Out composer, in which case the term "riddle canon" can be used Scholes, Nagley, and Whittall n.
Bach presented many of his canons in this form, for example in The Musical Offering. Mozart, after solving Father Martini 's puzzles Zaslaw and Cowdery98composed his own riddles, K. According to Oliver B. Ellsworth, the earliest known enigma canon appears to be an anonymous ballade, En la maison Dedalusfound at the end of a collection of five theory treatises from the third quarter of the fourteenth century collected in the Berkeley Manuscript Ciconian Thomas Morley complained that sometimes a solution, "which being founde it might bee was scant worth the hearing" Morley, cited, inter al.
Albrechtsberger admits that, "when we have traced the secret, we have gained but little; as the proverb says, ' Parturiunt montes, etc.
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