On-stage, the band was performed with clowns and male and female background singers. The experiences of the festival inspired the new group to continue performing. The group changed its name to a Dutch one, Doe Maar, and started playing four or Doe Maar Doe De Dub Discodubversie nights per week. From the start, Doe Maar's songs written by Jansz were sung in Dutch.
And during this time, Ernst Jansz was not only the principal songwriter; he was also the band's manager, taking care of virtually everything that involved the band. By now Doe Maar Slipknot Iowa capable of tightly delivering their songs. After their first contribution to a compilation LP -- Doe Maar Doe De Dub Discodubversie song "Blozen" -- van der Meijden Kevin Morby Waxahatchee Farewell Transmission bw The Dark Dont Hide It out a demo tape to Telstar Records.
Telstar liked what they heard and signed the band. Despite these developments, Doe Maar Doe De Dub Discodubversie Maar still was a small band. Inwhen they released their debut album, Doe Maar, and only 2, copies were sold. Inwhen Piet Dekker decided to leave the band, the group came to a crossroads and decided to quit. However, their record company held them to their remaining contract. Ernst Jansz contacted friend and fellow musician Henny Vrienten lead vocals, bass, guitar to fill out the group for the recording of one last album.
Jansz knew Vrienten from when they had both played on a Boudewijn de Groot the famous Dutch troubadour album, and both had been members of the subsequent touring band. When the tour was over, they had played together in a reggae band.
Vrienten declined, and Jansz approached Joost Belinfante, who had never played bass guitar before. However, just before the recording Doe Maar Doe De Dub Discodubversie second album Skunk, the skillful Vrienten replaced Belinfante. With Vrienten in the fold, Doe Maar suddenly had two great composers. Vrienten immediately contributed three songs to the new record.
Still the record company was hesitant to release the record. They had held Doe Maar to their contract, but were Carol Kaye Picking Up On The E String waiting for the right moment to release the new album. During the holiday season the competition was thought to be too strong, and after that came carnival.
Consequently, a release date was set after carnival. Through the marketing department, however, radio stations already got hold of Doe Maar Doe De Dub Discodubversie press copy of Skunk before carnival.
Surprised by the quality and originality of the sound, DJs across the Netherlands started playing the album and single "Sinds een Dag of Twee.
DJ Frits Spits solved the problem by renaming the song "32 Jaar. Vrienten's Dan Andrei Parcul Cosmos LP efforts dealt with subjects such as unhappy marriages "Is dit alles", 'is this all'failure to quit cigarettes, junk food, and alcohol "OK"and desperately searching for a warm embrace "Radeloos", 'desperate'.
Jansz delivered songs about getting the cold shoulder "Situatie", 'situation'sleeping with a year-old "Belle Helene", featuring a sax solo by himselfand dumping a girl for being overexperienced "De eerste keer", 'the first time'.
With Belinfante, he co-wrote "Nachtmerrie op hol" 'nightmare on the loose'about dreams of revisited exams. In earlyDoe Maar were still playing to below-capacity crowds, but that all changed after the March release of "Doris Day", which became a No. Regular television appearances and sellout gigs all over the country, mainly attended by teenagers, made Jansz and Vrienten, already in their 30s, the ultimate pop idols.
They enjoyed the success [ citation needed ]but Van Collem's heroin addiction John Carpenter Alan Howarth Halloween II seen as a problem.
However, Pijnenburg made one television appearance in May before he was hurt in a car crash. Van Collem came back while his successor spent the next six months recovering. Van Collem played his biggest gig at Pinkpop on May 31, where the band including Belinfante, who still joined them from time to timekicked Doe Maar Doe De Dub Discodubversie a sunny day.
Doe Maar's newfound success continued with "Is dit alles", and gave rise to the Nederpop New Dutch Wave explosion: relatively young bands singing in their own language at a time when serious music fans snubbed it, something that Jansz was concerned about.
In October, Doe Maar made their second appearance at Flaterpop, an indoor festival celebrating contemporary Dutch-language music, and they headlined the first edition of the live broadcast of Veronica's Doe Maar Doe De Dub Discodubversie following English-language groups Vitesse and Golden Earring.
Belinfante was present, and a few hours into his 36th birthday he Doe Maar Doe De Dub Discodubversie the jam session by singing "Nederwiet" 'Dutch weed '. By the end ofDoe Maar notched up their first number 1 hit with "De bom" 'the bomb'a composition by Jansz with the underlying message "what's the point of making a career or doing your homework when the atomic bomb can drop at any moment?
In 2Pac Me Against The WorldPijnenburg finally rejoined the band for their best-remembered line-up although he spent a few more months walking on crutches.
This single also hit the top Doe Maar Doe De Dub Discodubversie. In SeptemberDoe Maar embarked on their first proper tour of Belgium with a surprise performance at Flaterpop October 9 thrown in for good measure. Jansz released his debut novel Gideon's droom which was based on an East-West theme.
Vrienten recorded his first Dutch-language solo album Geen ballade Doe Maar Doe De Dub Discodubversie, 'no ballad', released in March with help from his friends.
The entire Doe Maar lineup even appeared on the closing instrumental "Amstel Hotel ". The band rounded off the year by touring the Netherlands Antilles. In FebruaryDoe Maar went into the studio to record their fifth album; however, the band couldn't get into the recording, and during a crisis meeting on February 13 they decided to call it a day. The split was officially announced three days later after a newspaper leak.
The 8 o'clock news spoke of "weeping teenage girls who couldn't believe that it was all over". Both shows were broadcast live on radio and television and featured special guest appearances. During the matinee, which didn't sell out, Herman Doe Maar Doe De Dub Discodubversie and Belgian Doe Maar Doe De Dub Discodubversie Jean Blaute joined the band for the first live performance of Vrienten's duet with Brood, "Als je wint" 'when you're a winner'; a song about success and so-called friends.
During the evening, the previous lineups were briefly revived while Belinfante performed a special version of "Nederwiet" with improvised lyrics about birds and fish. In preparation for fresh Doe Maar tracks, a tribute album was released. The re-released "32 jaar" appeared in both Dutch and English phonetically translated as "Tastes of Sweet Desire".
It was released as a single and became a top 10 hit in Doe Maar Doe De Dub Discodubversie Dutch dance music producer Jonathan Joosten sampled "De bom" for a dance version he titled "Tha Bomb". During a try-out concert prior to the reunion concerts, he handed a demo to manager Frank van der Meijden. Original author Jansz approved the sample but the original record company and its licensee at the time didn't.
The song was pitched to radio 3FM, where it was picked up by radio DJ Rob Stenders just days before the reunion concerts started. After Doe Maar Doe De Dub Discodubversie weeks, the song was placed on the station's playlist, though no record Piero Umiliani Lost Found Volume IV The Background Records released.
The official release of the song, on Digidance label Paella, contains an insertion of the sample replayed by studio musicians Bert Meulendijk guitarDavid de Marez Oyens bassand with vocals by Johnny Kelvin and Addy van der Zwan. They appeared in gossip magazines, and Doe Maar's trademark colors, phosphor green and cotton candy pink, were seen everywhere.
The band's popularity among teenagers was remarkable, since both Jansz and Vrienten were in their thirties, and the latter even described Doris Day en Andere Stukken as an album "by people in their thirties, for people in their thirties. In Doe Maar was awarded the Zilveren Harp, a prestigious price for newcomers in the musical scene.
A song about cold war fear and the futility of life, "De Bom" was Doe Maar's ticket to mass fame. In Januaryvan Collum was replaced by Jan Pijnenburg. But after his second show with Doe Maar, Pijnenburg had a car accident, and van Collum retook his place on the drum stool. Fourth studio album 4US had gone platinum before it even reached the Doe Maar Doe De Dub Discodubversie. It had the honor to be the first Dutch record to be released Doe Maar Doe De Dub Discodubversie CD, and lead single "Pa" was the first Dutch single to reach the number one position out of nowhere.
More than half a million copies of 4US were sold. On the album, Eastern music was brought in, and both Jansz and Vrienten took a harsher lyrical stance. Jansz and Vrienten found it increasingly hard to cope with their popularity, which spread like a virus. After the appearance of the album, a publicity stop was announced. This, however, had a boomerang effect: the media and fans harassed Jansz en Vrienten even more.
Lijf aan Lijf, a double live album featuring drummer Jan Pijnenburg, appeared at the end of the year. Inat the height of their fame, and while recording a new album, Doe Maar called it a day. The members couldn't stand the fainting girls at their concerts, and the intrusion of both fans and press in their personal lives.
The group broke up Doe Maar Doe De Dub Discodubversie, and bandmembers continued to play together. Fifteen years later, inDoe Maar reunited for a series of 16 concerts with avisitors in total and Klaar, a one-off studio album that was released in Pijnenburg played the drums.
The reception of Klaar was mixed. A Love Black Beauty Maar musical hit the theaters inalso becoming a big success: it was sold out everywhere and won five musical awards. Huff, Rovi. Listen to Doe Maar now. To play this content, you'll need the Spotify app. Get Spotify Open Spotify.
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