Often the vocal trio works in a totally different style from the band, as on "Calling Rasta Far I," where the close harmonies, dread-based but African-tinged, entwine around a straight reggae backing. Several of the songs are rocksteady-esque with a rootsy rhythm, most notably the infectious "See Them Come"; others are performed in a rockers style, with "I'm Alone in the Wilderness" an exquisite blend of guitar and vocal harmonies.
One of the best tracks, "Get Ready to Ride the Lion to Zion," is a superb hybrid of roots, rocksteady, and burbling electro wizardry; its roaring lion created who knows how is a brilliant piece of musical theater.
Inevitably, the roots genre was Culture Two Sevens Clash by Culture Two Sevens Clash minor-key melodies, filled with a sense of melancholy, and emphasized by most groups' lyrics. But for a brief moment, roots possibilities were endless. Sadly, no other group followed Culture 's lead, and Culture Two Sevens Clash the trio itself did not take advantage of it, especially after parting ways with Gibbs. Thus, Clash remains forever in a class all its own.
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