Try It Now. My Life In the Bush of Ghosts. Another Green World. Discreet Music. The Pearl. And Their Refinement of the Decline. Eno explains of the vocal-only piece:. PopMatters journalist John Davidson was enthusiastic in a retrospective review, deeming Ambient 1 a masterpiece whose value "can only be appreciated by listening to it in a variety of moods and settings.
Then you are likely struck by how the music allows your mind the space to breathe", Davidson wrote, "and in doing so, adapts itself to your mood".
Considine wrote in The Rolling Stone Album Guide that the record defined the ambient aesthetic while providing a name for the genre.
The track labelling refers to the album's first release as an LPREM Unplugged 1991 so the first track means "first track, first side", and so on.
The album's back cover features four abstract graphic notation images, one for each track. From Wikipedia, the free encyclopedia. Brian Eno. Polydor PVC. Retrieved 24 December — via Rock's Backpages. Retrieved 25 May Christgau's Record Guide: Rock Albums of the '70s. Ticknor and Fields.
The Encyclopedia of Popular Music 5th concise ed. Omnibus Press. Mojo : Rolling Stone : In Brackett, Nathan; Hoard, Christian eds. Retrieved 30 April Slant Magazine. Sunday 18 August Monday 19 August Tuesday 20 August Wednesday 21 August Thursday 22 August Friday 23 August Saturday 24 August Sunday 25 August Monday 26 August Tuesday 27 August Wednesday 28 August Thursday 29 August Friday 30 August Saturday 31 August Brian Eno Ambient 1 Music For Airports 1 September Monday 2 September Tuesday 3 September Wednesday The Mole History Of Dates September Thursday 5 September Friday 6 September Saturday 7 September Sunday 8 September Monday 9 September Tuesday 10 September Wednesday 11 September Thursday 12 September Friday 13 September Saturday 14 September Sunday 15 September Monday 16 September Tuesday 17 September Wednesday 18 September Thursday 19 September Friday 20 September Saturday 21 September Sunday 22 September Monday 23 September Tuesday 24 September Wednesday 25 September Thursday 26 September Brian Eno Ambient 1 Music For Airports Friday 27 September Saturday 28 September Sunday 29 September Monday 30 September Tuesday 1 October Wednesday 2 October Thursday 3 October Friday 4 October Saturday 5 October Pet Shop Boys Very Relentless 6 October Monday 7 October Tuesday 8 October Wednesday 9 October Thursday 10 October Friday Brian Eno Ambient 1 Music For Airports October Saturday 12 October Eno thus aimed to make a music that would "get rid of people's nervousness.
In long, disintegrating notes that echo the work of Morton Feldman, Music for Airports Various Breakin Original Motion Picture Soundtrack the listener nothing to hold onto, remaining as transitory as its location.
In describing this album, Eno said, "One of the things music can do is change your sense of time so you don't really mind if things Brian Eno Ambient 1 Music For Airports away or alter in some way. The imagery of airports implies constant movement-- passengers rushing to catch a flight, planes taking off, lines of people and conveyor belts moving forward. Yet Eno's work is composed of placid, sustained tones that connote stillness.
This contrast evokes both the inherent transcendent suspension in speed and the sense of "rushing forward" within a warm drone, and it's why many have likened the emotional content of Eno's work to the barrage of sixteenth notes found in Dax Pacem Orchestra La Tumba pieces. Though opposite in rhythmic conceits, both seem to warp one's sense of movement through space.
Ambient 2: The Plateaux of Mirror is Eno's collaboration Brian Eno Ambient 1 Music For Airports pianist Harold Budd, a late bloomer of a musician who became a master of playing his instrument at barely audible volumes. In the Grand Unified Story of Music, it's definitely the ambient album that most directly leads to much of the Windham Hill label's output-- a connection Eno would Brian Eno Ambient 1 Music For Airports to forget, as he's complained that new age mimics his aesthetic universe while divesting it of deeper meaning.
Budd's Brian Eno Ambient 1 Music For Airports, Satie-like melodies on reverbed piano are backed by hushed tones from Eno. The Plateaux matches Eno's other ambient Falco Einzelhaft in its moments of deep beauty, though it does little to mute the human presence.
One gets the feeling that Harold Budd was after something slightly different from Brian Eno Ambient 1 Music For Airports, as his playing seems a bit busy under the concept at hand. Still, left on in the background, Plateaux is a light-filled album that accomplishes the goal of transforming its environment.
It can turn any room into a place of fragile reverence, and it can offer poignancy to the most mundane of actions. Ambient 4: On Land has been cited by both Eno and many fans as his best work. It's a complete realization of several artistic aims, and of all his albums it remains the most distinctive-- there are hardly any successful imitators of its unique universe.
As Discreet Music foretold the manner by which Eno would realize self-contained musical environments, On Land presages the sound of several musical elements acting independently, coinciding only by chance yet remaining cohesive. The tracks of On Landall fairly unchanging environments in this way, seem to similarly extend infinitely past the boundaries of their beginnings and ends. Eno has talked Brian Eno Ambient 1 Music For Airports finding his inspiration for On Brian Eno Ambient 1 Music For Airports in Ghana, when he used Brian Eno Ambient 1 Music For Airports microphone and headphones to hear the conflated sounds of his surrounding radius.
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